This timeless collection contains selections attributed to J. S. Bach, his son C.P.E. Bach, and others. Generations of students have studied the volume's "Menuet in G Major," "Musette in D Major" and the "Prelude in C Major" from the first volume of the Well-Tempered Clavier. Dr. Palmer provides the texts to the instrumental settings of chorales and arias found in this work, as well as a brief biography of the Bach family. - the publisher (sample pages)
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During the course of five years, J.S. Bach filled two blank notebooks with easy keyboard pieces as a gift to his wife. These vital teaching pieces are now available in this accurately edited edition based on practical teaching experiences. The editorial suggestions emphasize musical ideas that will be successful when played by your students. Along with the famous Minuets, Marches, and Polonaises, this volume includes some less familiar selections from this wealth of easier keyboard literature.
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Baroque. In 1721 a 20-year-old soprano employed at the princely court in Kthen married the court's Kapellmeister, set to become the greatest composer of the age. As his second wife she married into a young family with four children, and a busy householdfilled with music. The music book that Johann Sebastian Bach presented to his new wife Anna Magdalena in 1722, and replaced more lavishly in 1725, treats us to a tantalizing glimpse inside this unique family, allowing us to sit beside Bach as a co...
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Overture in French Style, BWV 831 is based on Bischoff's analysis of first editions and manuscripts in the Berlin State Library. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. ...
Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that proudly sports the opus number "1" in 1731. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpo...
Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpoint, but at the same time performers will not miss out on the enjoyment of virtuosic playing in any way. G. Henle Publishers presents this magnum opus in a revised Urtext edition that consults the original editions as well as autograph sources while also extensively documentin...
Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that proudly sports the opus number "1" in 1731. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpo...
Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpoint, but at the same time performers will not miss out on the enjoyment of virtuosic playing in any way. G. Henle Publishers presents this magnum opus in a revised Urtext edition that consults the original editions as well as autograph sources while also extensively documentin...
Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpoint, but at the same time performers will not miss out on the enjoyment of virtuosic playing in any way. G. Henle Publishers presents this magnum opus in a revised Urtext edition that consults the original editions as well as autograph sources while also extensively documentin...
Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that proudly sports the opus number "1" in 1731. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpo...
Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that proudly sports the opus number "1" in 1731. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpo...
Bach's Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that proudly sports the opus number "1" in 1731. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpo...
more than the score_ is a series of classic piano music, covering much of the essential repertoire from Bach through Mozart, Schubert, Mendelssohn, Chopin and Debussy, right up to John Cage. Each volume focuses on one piece, with written masterclasses and background information encouraging an exploration of the music - beyond the printed score. All titles in the this series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor, Roy Ho...
Aside from the violin Chaconne (HN 557) and the ten Chorale Preludes for organ (HN 1293), the Prelude and Fugue in D major ranks among the best-known piano transcriptions Busoni fashioned from J. S. Bach's works. Considerable evidence suggests that he viewed these three pieces as paradigmatic examples of his transcription technique. Busoni's explicit labelling of the Prelude and Fugue "for concert performance" in the title already serves as an indication of the heightened virtuosic requirements. ...
The perfect introduction to Baroque keyboard music. Contents include: March in D (Helm 1) (C.P.E Bach) March in G (Helm 1) (C.P.E Bach) Minuet in C Minor (BWV Anhang 121) (composer unknown) Minuet in D minor (BWV Anhang 132) (composer unknown) Minuetin G (Attr. Boehm) Minuet in G (BWV Anhang 114) (Pezold) Minuet in G (BWV Anhang 116) (composer unknown) Minuet in G Minor (BWV Anhang 115) (Pezold) Musette in D (BWV Anhang 126) (composer unknown) Polonaise in G minor (BWV Anhang 119) (compo...
This timeless collection contains selections attributed to J. S. Bach, his son C.P.E. Bach, and others. Generations of students have studied the volume's "Menuet in G Major," "Musette in D Major" and the "Prelude in C Major" from the first volume of The Well-Tempered Clavier. Dr. Palmer provides the texts to the instrumental settings of chorales and arias found in this work, as well as a brief biography of the Bach family. The Alfred Masterwork CD Editions conveniently combine each exceptional vo...
In 1725, J.S. Bach gave his second wife, Anna Magdalena, a "Notenbchlein"a collection of solo keyboard pieces and arias. Most of the keyboard pieces were composed by friends, colleagues, and his son, Carl Philipp Emanuel Bach. The easier keyboard works were probably used to instruct their children, while the arias would have been performed by Anna Magdalena, who was a singer. For this edition, Edwin McLean has chosen and expertly edited the most popular and easier keyboard pieces. Originally, th...