Romantic. Shortly after a rather unsuccessful performance of his Piano Concerto No. 1, Johannes Brahms wrote to Joseph Joachim in 1859: "... a second one will sound different." Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: "I wanted to tell you that I have written a very small piano concerto with a tiny little delicate Scherzo." Henle's piano reduction of this anything-but-little symphonic concerto presents the solo ...
Series Editors: John Rink, Jim Samson, Jean-Jacques Eigeldinger. Editorial Consultant: Christophe Grabowski. Key Features of the Edition: An introductory essay in English, German and French examining the historical background, compositional features and performance practice issues The identification of, and adherence to, a single principal source A detailed and comprehensive critical commentary Chopin's authentic fingerings only Emphasis placed on retaining expressive features of the ori...
The Rondo in C Major, Op. 73, is the third rondo Chopin composed. It was originally written for solo piano in 1828 when Chopin was 18 years old. He rearranged it for two pianos, four hands, the same year, but it was not published until after his death. The rondo is written in a brilliant and glittering salon style. This edition includes an analysis of the form as well as editorial fingering. (sample pages)
...
In the "Nocturnes" for orchestra and women's chorus, composed between 1897 and 1899, Debussy realised his concept that the musical form should emerge freely from the material. With the tripartite structure, he referenced the symphony, but at the same time distanced himself from it by replacing the motivic-thematic aspects with a variety of nuanced timbres. The movement titles "Nuages" (clouds), "Fˆtes" (festivals) and "SirŠnes" (sirens), deriving from nature and culture, allude to the programme m...
Whose ears are not instantly filled with the dreamy flute solo when Debussy's "Prelude a l'apres-midi d'un faune" is mentioned? Very few people know that before he wrote the orchestral score Debussy made a version for two pianos. Both versions should be seen as being independent, and they differ in some details. The differences are revealed in our edition, as are Debussy's entries concerning the work in his copy of the score. The volume also contains the Spanish impression "Lindaraja" and the thr...