Dover reprints from Vienna Gesellschaft der Musikfreunde editions. Includes complete chamber music for strings, plus the clarinet quintet. Detailed Contents: String Sextet No 1, op 18; String Sextet No 2, op 36; String Quintet No 1, op 88, String Quintet No 2, op 111; String Quartet No 1, op 51/1; String Quartet No 2, op 51/2; String Quartet No 3, op 67; plus Clarinet Quintet, op 115. 9780486219141.
Category: Chamber Music Study Scores Item: 048020 Grade: Price: $24.95 Availability: Ships in 6 to 9 Days
Brahms had in fact wanted to stop composing in 1890, but his encounter with the clarinettist Richard Muhlfeld inspired him so much that he produced several works in a row for him over a brief period of time. The melodious Quintet op. 115 has been popularwith musicians and audiences alike since its premiere in 1891. Even prior to printing - and presumably with a view toward further dissemination of the work - an alternate version was written with viola instead of clarinet, premiered by no less tha...
Study score. In 1890 Brahms had actually resolved to stop composing. Fortunately, his acquaintance with Richard von Muehlfeld, clarinettist of the celebrated Meiningen court orchestra, led Brahms to step back from this idea in 1891, and to write, together with the Clarinet Trio op. 114, his Clarinet Quintet op. 115 - two of the greatest masterpieces for this instrument. The first public performances in Berlin and, somewhat later, in Vienna, were such a great success that Joseph Joachim acknowledg...
The German Requiem is not a Mass in the traditional liturgical sense; rather, Brahms sets a very personal and carefully-assembled group of texts from the Lutheran Bible in this seven-movement work for soloists, choir and large orchestra, centering aroundthemes of transience, grief and consolation. As one of the most affecting sacred works of all, the German Requiem has overcome all linguistic barriers and achieved worldwide success, reflecting the composer's comment that "as concerns the text, I ...
Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: "... a second one will sound different". Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: "I wanted to tell you that I have written a very small piano concerto with a tiny little delicate Scherzo". Henle's study edition of this by no means small symphonic concerto is based on the musical text in ...
Romantic. "Harmony, bliss, music of Raphaelesque beauty! and yet in its simplicity, how wonderfully artistically everything is done." This is how Theodor Billroth enthused about the first String Quartet op. 88 by his friend Johannes Brahms. No wonder that it soon won the hearts of audiences and musicians alike. This chamber music work was written in spring 1882 as usual put to the test in various preview performances and revised until the autumn. Here, Brahms placed himself fully in the tradition...
As with its companion work op. 88 from 1882, Brahms's second string quintet was supposed to be completed in the relaxed atmosphere of a summer in Bad Ischl, but eight years later. The work's first technical try-out in Vienna in October 1890, which Brahmsdescribed to his friend Clara Schumann as "not displeasing", was followed by a fine-tuning of the work in close dialogue with musical friends such as Joseph Joachim before Brahms sent score and parts to his publisher Simrock at the year's end. Wit...
Romantic. The Sextet in B-flat major was already judged to be "one of the most beautiful works by this young composer" after its initial performances in early 1861. It was popular with both public and press, and has retained this status to the present day. The publisher Simrock was so impressed by it that he accepted Brahms's suggestion that he should publish a score of it alongside the individual parts - something that was by no means usual at the time. The numerous differences between these two...
Matching study score for item 125000. Brahms's First String Sextet became very popular after its publication in 1861, yet his publisher Simrock still hesitated when the composer offered him a second such work in 1865, "in the same cheerful mood." So Brahms made overtures to other publishers,and then Simrock finally agreed to take it on. The critics were initially rather skeptical towards this Sextet op. 36, but Brahms's friends thoroughly approved of it. Clara Schumann praised its accomplished m...
Brahms composed his Triumphlied for eight-part chorus, solo baritone and orchestra as a direct reaction to the victory of the German army in the Franco-Prussian War of 1870/71 and the consequent founding of the German Empire. Similar to the German Requiem completed shortly before, Brahms himself compiled the text from the Bible, in this case from Chapter 19 of the Book of Revelations. Because of the somewhat melodramatic tone of the composition and the nationalistic background to the works genesi...
Study score. For 2 violins, 2 violas & cello. Study score. For a matching set of Henle urtext parts, see item 76661. Edited by Michael Kuba. Preface by Christopher Fifield. On 18 May 2006 a manuscript was auctioned at Sotheby's that made chamber musicians prick up their ears. Shortly before his death, Max Bruch composed three works for strings which he was no longer able to have published. Following his death, the two quintets and the octet were believed to have gone missing. Whilst the other two...
Dover reprint of the 1878-80 Breitkopf edition. Includes Variations on Mozart's "La Ci Darem La Mano," op 2; Fantasia on Polish Airs, op 13; and Krakowiak - Concert-Rondo, op 14. All works are for piano and orchestra. Full score only - parts not included.
Category: Orchestra Full Scores Item: 052037 Grade: Price: $15.95 Availability: Usually Ships in 24 Hours
"Appalachian Spring" was composed in 1943-44 as a ballet for Miss Martha Graham on a commission from the Elisabeth Sprague Coolidge Foundation. It was first performed by Miss Graham and her company at the Coolidge Festival in the Library of Congress, Washington, D.C., on October 30, 1944. The present version is scored for the original chamber ensemble of thirteen instruments. It is a condensed version of the ballet (identical with the original suite derived from the ballet for symphony orchestra...