This method book aims at all levels of students, from beginners to pros. The author presents traditional pandeiro rhythms, rhythms that were originally not played on the pandeiro but have especially been adapted to this instrument, modern rhythms, odd rhythms as well as short compositions for pandeiro, triangle, agogo and tamborim. Due to the fact that the human voice and the pandeiro are closely coupled with each other in Brazilian music, an entire chapter of this book has especially been dedicated to the combined use of pandeiro and vocals - something that will prove to be very helpful and important for the development of each percussionist's coordination and independence.