20th Century. French composer. For trumpet in C (Bb part also included). As the title suggests, this is a cheerful, light-hearted work that requires considerable dexterity in that it contains multiple tonguing, chromatic runs, and quick disjunct passages often sequencing chromatically through several adjacent chords. The brief 16th-note triplet motive appears throughout the piece and is also used in several of Bozza's other works. The piece has an exciting "wind-up" as it concludes with a brisk series of triplets that lay quite well in terms of fingering. Solo part in Bb & C included.