Hans Winterberg (1901-1991) composed his first work for the classical formation of the wind quintet (with secondary instruments) at the beginning of 1946 in Prague. After a Suite for trumpet and piano composed at the end of 1945, this was his second workwritten after the liberation from the Theresienstadt concentration camp in June 1945. This musical, exuberant piece shows no sign of what its author had gone through in the previous five years. The character is light, airy and free from the darkne...
20th Century (1957). Until recently, the wind quintet from 1957 published here for the first time seemed to be the only work in this formation in Hans Winterberg's (1901-1991) extensive catalog of chamber music gems. In the meantime, another piece in thetraditional scoring for flute, oboe, clarinet, horn and bassoon has been rediscovered in his estate, a suite from 1946, written in Prague one year after the composer's liberation from the Theresienstadt concentration camp and one year before his e...
20th Century (1959). The Suite for flute, oboe, clarinet, bassoon and harpsichord from 1959 was probably written - like many of [Winterberg's] other works from the 1950s and 1960s - on commission from Bayerischer Rundfunk, although no traces of performances or broadcasts during the composer's lifetime have been found. As always with Winterberg, the unconventional, humorous and at times surreal handling of the material is surprising, making the Suite seem like an echo of Czech modernism of the int...