The first movement depicts the "happy family" of her childhood, when we were all together. The second movement expresses some of the tender feelings she was then having for the young man whom she eventually married.
The third movement is one of my "Matthew" movements. I find that I often have my son in mind when I write some of my most cheerful and lively pieces and this one displays a certain jauntiness and irrepressible jocularity that Matthew always had as a young child. - the composer