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Bach
Contrapunctus 5, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Fifth movement (BWV 1080, Nr 5) of Bach's final opus. Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus V is an example of a 4-part simple fugue with stretto. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70071
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$30.00 |
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Bach
Contrapunctus 6, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Sixth movement (BWV 1080, Nr 6) of Bach's final opus, subtitled "Per Diminutionem in Stylo Francese." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus VI is an example of a 4-part simple fugue with stretto. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70072
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$30.00 |
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Bach
Contrapunctus 7, from Art of the Fugue (King) [211.01 or 203.00]
Baroque period. Seventh movement (BWV 1080, Nr 7) of Bach's final opus, subtitled "Per Augmentationem et Diminutionem." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus VII is an example of a 4-part simple fugue with stretto.-cdp
Item: 03411
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$9.40 |
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Bach
Contrapunctus 7, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Seventh movement (BWV 1080, Nr 7) of Bach's final opus, subtitled "Per Augmentationem et Diminutionem." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus VII is an example of a 4-part simple fugue with stretto. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70073
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$30.00 |
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Bach
Contrapunctus 8, from Art of the Fugue (Allen)
Baroque period. Eighth movement (BWV 1080, Nr 8) of Bach's final opus. Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus VIII is an example of a triple fugue. Boulder Brass series. Originally in Dm arranged here in Cm. -cdp
(Ships in 10 to 15 Days)
Item: 55049
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$20.00 |
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Bach
Contrapunctus 8, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Eighth movement (BWV 1080, Nr 8) of Bach's final opus. Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus VIII is an example of a triple fugue. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70074
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$30.00 |
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Bach
Contrapunctus 9, from Art of the Fugue (Allen)
Baroque period. Ninth movement (BWV 1080, Nr 9) of Bach's final opus, subtitled "Alla Duodecima." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus IX is an example of a 4-part double fugue. Boulder Brass series. Originally in Dm arranged here in Cm. -cdp
Item: 55051
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$20.00 |
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Bach
Contrapunctus 9, from Art of the Fugue (Glasel)
Baroque period. Ninth movement (BWV 1080, Nr 9) of Bach's final opus, subtitled "Alla Duodecima." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus IX is an example of a 4-part double fugue. This particular arrangement of "Contra Nine" is perhaps the most well known and oft performed of the 16 numbered Contrapuncti. Besides simply laying well for brass quintet, much 3-part texture and a low ending make this arrangement less taxing than most Bach transcriptions. Transcribed down a step from the original key of Dm into Cm.-cdp
(Ships in 10 to 14 Days)
Item: 10898
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$5.50 |
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Bach
Contrapunctus 9, from Art of the Fugue (Fote)
Baroque period. Ninth movement (BWV 1080, Nr 9) of Bach's final opus, subtitled "Alla Duodecima." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus IX is an example of a 4-part double fugue. -cdp
Item: 48050
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$12.95 |
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Bach
Contrapunctus 9, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Ninth movement (BWV 1080, Nr 9) of Bach's final opus, subtitled "Alla Duodecima." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus IX is an example of a 4-part double fugue. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
(Ships in 10 to 15 Days)
Item: 70075
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$30.00 |
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Bach
Contrapunctus 10, from Art of the Fugue (Nagel)
Baroque period. Tenth movement (BWV 1080, Nr 10) of Bach's final opus, subtitled "Alla Decima." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus X is an example of a 4-part double fugue. -cdp
Item: 20545
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$17.00 |
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Bach
Contrapunctus 10, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Tenth movement (BWV 1080, Nr 10) of Bach's final opus, subtitled "Alla Decima." Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus X is an example of a 4-part double fugue. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70076
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$30.00 |
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Bach
Contrapunctus 11, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Eleventh movement (BWV 1080, Nr 11) of Bach's final opus. Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. Contrapunctus XI is an example of a 4-part triple fugue. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70077
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$30.00 |
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Bach
Contrapunctus 12-1, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Twelfth movement (BWV 1080, Nr 12-1) of Bach's final opus. Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. There are two Contrapunctus 12's - one in "recto" orforward motion (this item), and one in "inverso" or inversion (item 70079), where the pitch material is mirrored (upside down). Contrapunctus XII Rectus is thus an example of a mirror fugue. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70078
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$30.00 |
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Bach
Contrapunctus 12-2, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Contrapunctus 12-2 is the thirteenth movement (BWV 1080, Nr 12-2) of Bach's final opus. Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. There are two Contrapunctus 12's - one in "recto" or forward motion (item 70078), and one in "inverso" or inversion (this item), where the pitch material is mirrored (upside down). Contrapunctus XII Inversus is thus an example of a mirror fugue. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70079
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$30.00 |
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Bach
Contrapunctus 13-1 for Harpsichord Duo [advanced] (Hornek) [210.11 or 211.01]
Baroque period. This work is sometimes included as a part of Bach's final opus, the "Art of the Fugue," a collection of Contrapuncti and Canons. However, it doesn't logically fit Bach's carefully constructed cycle of fugues(1). The original work, correctly entitled "Contrapunctus 13 Inversus, Alio Modo Fuga a 2 Clavier," is an arrangement by Bach himself of Contrapunctus 13-1 for two harpsichords. (Note: this publication indicates the title as "Contrapunctus 18." This we believe to be an error.) The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany.
(1) From the Forward, by Davitt Moroney, of the G. Henle edition of Art of the Fugue, edition number HN423 (our number 01351) and HN9423 (our number 6093).-cdp
Item: 70088
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$30.00 |
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Bach
Contrapunctus 13-1, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Contrapunctus 13-1 (Inversus) (1) is the fifteenth movement (BWV 1080, Nr 13-1) of Bach's final opus. Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord.There are two Contrapunctus 13's - one in "recto" or forward motion (item 70080), and one in "inverso" or inversion (this item), where the pitch material is mirrored (upside down). Contrapunctus XIII Inversus is thus an example of a mirror fugue. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. 1 The apparent mis-numbering here has an explanation. The BWV numbering of the two Contrapunctus 13's is reversed here intentionally, with 13-Recto as BWV 1080-2 and 13-Inverso as BWV 1080-1. This is a result of the Bach family's erroneous numbering and ordering of the Contrapunctus XIII twins after JS Bach's death. In reality, 13-2 comes before 13-1, as Recto must logically precede Inverso. -cdp
Item: 70081
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$30.00 |
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Bach
Contrapunctus 13-2 for Harpsichord Duo [advanced] (Hornek) [210.11 or 211.01]
Baroque period. This work is sometimes included as a part of Bach's final opus, the "Art of the Fugue," a collection of Contrapuncti and Canons. However, it doesn't logically fit Bach's carefully constructed cycle of fugues(1). The original work, correctly entitled "Contrapunctus 13 Rectus, Alio Modo Fuga a 2 Clavier," is an arrangement by Bach himself of Contrapunctus 13-2 for two harpsichords. (Note: this publication indicates the title as "Contrapunctus 18." This we believe to be an error.) The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany.
(1) From the Forward, by Davitt Moroney, of the G. Henle edition of Art of the Fugue, edition number HN423 (our number 01351) and HN9423 (our number 6093). -cdp
Item: 70087
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$30.00 |
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Bach
Contrapunctus 13-2, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Contrapunctus 13-2 (Rectus) (1) is the fourteenth movement (BWV 1080, Nr 13-2) of Bach's final opus. Originally written in 4-part SATB open score form, and now believed to have been intended for performance on the harpsichord. There are two Contrapunctus 13's - one in "recto" or forward motion (this item), and one in "inverso" or inversion (item 70081), where the pitch material is mirrored (upside down). Contrapunctus XIII Rectus is thus an example of a mirror fugue. The trombone part is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. 1 The apparent mis-numbering here has an explanation. The BWV numbering of the two Contrapunctus 13's is reversed here intentionally, with 13-Recto as BWV 1080-2 and 13-Inverso as BWV 1080-1. This is a result of the Bach family's erroneous numbering and ordering of the Contrapunctus XIII twins after JS Bach's death. In reality, 13-2 comes before 13-1, as Recto must logically precede Inverso. -cdp
Item: 70080
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$30.00 |
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Bach
Contrapunctus 14, from Art of the Fugue (Allen)
Baroque period. Contrapunctus 14 is the sixteenth and final movement labeled as a "Contrapunctus" (BWV 1080, Nr 19) of Bach's final opus. Bach never actually completed number 14, as he died prematurely of a stroke before it was finished. It is thus offered here in its original, uncompleted form. This fugue was originally written in 4-part SATB open score form and is now believed to have been intended for performance on the harpsichord. Contrapunctus XIV is an example of a quadruple fugue, whose final fugue subject, not introduced due to the composer's death, was to be based on Bach's own name (B-A-C-H, where, in German notation, B is B-flat, and H is B-natural). This according to competant scholarly research. Bach would have thus "signed" his final work. Boulder Brass series. Originally in D minor, here transcribed and arranged down a step into C minor. Trumpet 1 in Eb or Bb. -cdp
(Ships in 10 to 15 Days)
Item: 55050
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$30.00 |
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Bach
Contrapunctus 14, from Art of the Fugue [advanced] (Hornek) [210.11 or 211.01]
Baroque period. Contrapunctus 14 is the sixteenth and final movement labeled as a "Contrapunctus" (BWV 1080, Nr 19) of Bach's final opus. Bach never actually completed number 14, as he died prematurely of a stroke before it was finished. It is thus offered here in its original, uncompleted form. (Note: this publication indicates the title as "Contrapunctus 19." This we believe to be an error, as it should be labeled as Nr 14.) This fugue was originally written in 4-part SATB open score form and is now believed to have been intended for performance on the harpsichord. Contrapunctus XIV is an example of a quadruple fugue, whose final fugue subject, not introduced due to the composer's death, was to be based on Bach's own name (B-A-C-H, where, in German notation, B is B-flat, and H is B-natural). This according to competant scholarly research. Bach would have thus "signed" his final work. Originally in D minor, here transcribed and arranged down a step into C minor. The trombone part in this arrangement is labeled for euphonium, but is absolutely performable upon trombone. As performed by the Harmonic Brass of Munich, Germany. -cdp
Item: 70082
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$30.00 |
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Bach
Erschallet ihr Lieder, from BWV 172 (Rempp)
Baroque. Extract from Cantata 172. As performed by the Harmonic Brass Quintet. Score & parts.
Item: 74397
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$20.00 |
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Bach
Fantasia & Fugue in Cm, BWV 567 (Bricault)
Item: 73972
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$15.00 |
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Bach
Fantasia & Fugue in Gm, BWV 542 [advanced] (Allen) [Eb trumpet]
Baroque period. Boulder Brass series. Monumental work originally for organ. This will test the mettle of any professional brass quintet. - the arranger. Trumpet 1 in Eb.
(Ships in 10 to 15 Days)
Item: 55052
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$25.00 |
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Bach
Fantasia in C, BWV 570 (Allen)
Baroque period. Boulder Brass series. Transcribed for brass quintet from the original for organ. Trumpet 1 in Eb or Bb.
Item: 55055
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$15.00 |
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Bach
Fuga on the Magnificat, BWV 733 (Bricault)
Item: 73971
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$15.00 |
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Bach
Fugue in Cm, BWV 537 (Wilcox)
Baroque period. Veteran arranger Norm Wilcox sets one of his favorite fugues for trombone quartet. The C minor fugue is especially well suited for brass in that it has a somewhat compact range and is linear in nature. Also available for trombone quartet and trombone quintet.
(Ships in 10 to 14 Days)
Item: 38488
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$15.00 |
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Bach
Fugue in Eb, BWV 552 - Saint Anne (Allen)
Baroque period. Boulder Brass series. This rare five voice fugue is a challenging work for the professional brass quintet and could easily be the centerpiece of a recital. Recorded by The Aries Brass Quintet on their CD, "Aries."
(Ships in 10 to 15 Days)
Item: 55045
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$25.00 |
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Bach
Fugue in Gm [Gr.4-intermediate] (Decker)
Baroque period. The other Gm fugue, not "The Little."
Item: 21692
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$8.50 |
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Bach
Fugue in Gm, BWV 578 - The Little (Romm)
Baroque period. Canadian Brass series.
Item: 16875
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$20.00 |
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Bach
Fugue in Gm, BWV 578 - The Little (Allen)
Baroque period. Boulder Brass series. The so called "Little Fugue" (BWV 578) is one of Bach's most famous organ works - challenging for the ensemble - rewarding for an audience.
Item: 55053
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$25.00 |
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Bach
Fugue No 1, from Well Tempered Clavier (Gale)
Baroque. Transcripion of the first movement from the classic keyboard collection.
(Ships in 10 to 14 Days)
Item: 28639
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$10.00 |
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Bach
Fugue No 1, from Well Tempered Clavier (Bradley)
Baroque period.
Item: 48461
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$9.00 |
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Bach
Fugue No 4, from Well Tempered Clavier (Bradley)
Baroque period.
(Ships in 10 to 15 Days)
Item: 45262
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$12.00 |
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Bach
Fugue No 9, from Well Tempered Clavier (Ross)
Baroque period. Ithaca College Brass series No 1.
Item: 27014
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$10.00 |
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Bach
Fugue No 16, from Well Tempered Clavier (Bradley)
Baroque period.
(Ships in 10 to 15 Days)
Item: 48462
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$9.00 |
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Bach
Fugue, from Prelude & Fugue in G, BWV 576 (Dishinger)
Baroque period.
Item: 67486
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$14.00 |
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Bach
Fugue, from Prelude & Fugue, BWV 554 [intermediate] (Dishinger)
Item: 73706
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$14.00 |
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Bach
Fugue, from Violin Sonata No 1 [advanced] (Charpie) [piccolo trumpet]
Baroque period.
(Ships in 10 to 14 Days)
Item: 21733
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$10.50 |
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Bach
Gloria in Excelsis Deo, from Magnificat (Allen)
Baroque period. Boulder Brass series. Brief sinfonia from the Magnificat. Works well as an interlude during a church service, prelude for a wedding, or as a brief introductory piece for a youth concert.
Item: 58967
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$15.00 |
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Bach
Gott, Wie Gross ist Deine Gute, BWV 462 [intermediate] (Hermann) [211.01]
Item: 70678
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$25.00 |
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Bach
Grosser Herr & Starker Koenig (Muck)
Baroque. Extract from the Christmas Oratorio. As performed by the Harmonic Brass Quintet. Trumpet 1 is piccolo in C or Bb. Score & parts.
(Ships in 10 to 15 Days)
Item: 74751
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$15.00 |
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Bach
Herrscher des Himmels, Erhore das Lallen [Gr.5-early advanced] (Zellner)
Baroque period. Extract from the Christmas Oratorio, BWV 248. Score & parts.
(Ships in 10 to 15 Days)
Item: 68696
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$38.65 |
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Bach
Italian Concerto, BWV 971 - 1st movement (Muck)
Baroque. Transcription of a keyboard work here for quintet. As performed by the Harmonic Brass Quintet. Score & parts. Trumpet 1 is piccolo. Trumpet 2 in Bb or C.
Item: 74413
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$20.00 |
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Bach
Jesu Meine Freude, BWV 227 (Groblehner)
Baroque. Transcription of the oratorio. As performed by the Harmonic Brass Quintet. Score & parts. Trumpet 1 in C. Trumpet 2 in C or Bb.
(Ships in 10 to 15 Days)
Item: 74394
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$30.00 |
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Bach
Jesu, Joy of Man's Desiring (Hickman)
Baroque period. Chorale from Cantata 147.
Item: 25300
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$16.00 |
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Bach
Jesu, Joy of Man's Desiring (Allen)
Baroque period. Boulder Brass series. Famous pastoral chorale from Cantata 147 (Herz und Mund und Tat und Leben). Essential wedding repertoire.
Item: 55043
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$20.00 |
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Bach
Jesu, Joy of Man's Desiring (Parente)
Baroque period.
(Ships in 10 to 14 Days)
Item: 28649
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$15.00 |
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Bach
Jesu, Joy of Man's Desiring (Block)
Baroque period. Chorale from Cantata 147.
Item: 13959
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$11.50 |
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Bach
Jesu, Joy of Man's Desiring [Gr.5-early advanced] (Holcombe)
Baroque period.
Item: 39783
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$15.00 |
